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A mixtape of 2013

A picture of a pub in New Cross with a red neon sign that reads 'take courage'

This is not a best of list. This is a series of fragments; songs released this year that have thickened with meaning. Songs I’ll hear and almost be able to taste the air of certain moments. An attempt to mark that particular, peculiar thing that music does – shifting and growing with meaning as time goes on. A mixtape of The Year I Moved To London – 2013.

1. Cat Fantastic
This song is two moments in 2013. The first moment is a gig on the 20th of January. In early January I wrote a review of 13.0.0.0.0 by TTNG – I loved it, and had travelled to the OBL in Shoreditch for the release show (this is pre-London, though at this gig I start saying out loud ‘I might move to London you know’). I may have spelled the title wrong in the review BUT WHATEVS. It’s a smart album. And I especially loved the burgeoning political awareness Henry was bringing to the band. I’m not good at music, I am good at words; my reviews tend to be lyrically-focussed and I think this was a bit of a relief for Henry, who probably gets a bit bored of people asking about tunings and time signatures. He sent me a really lovely thank you message, and dedicated this song to me at the show. That’s roughly the first time I’d properly smiled for a weeks or two, because my year had started with a break up – on the 6th of January.

My second moment is swimming in Ironmonger Row Baths, March or April, just after I moved. My pervading memory of that time is of being tired. People don’t tell you about how much travel eats your time in London. I was getting up at 6am, getting on a train (I hadn’t got the confidence to cycle yet) at 6:40, nearly passing out in the crowd, walking from London Bridge to Old Street to avoid the Northern Line, swimming for 80 minutes, and then into work for 10am. Then a gig in the evening usually. Get in about midnight if I was lucky. London added about 4 hours of travel into my day. I like cooking but had to keep eating on the go. I missed time to do proper exercise. And the break up, 3-4 months later, turned out to be one of those slow burn ones that don’t give up. I remember listening to this as I swum up and down at Ironmonger Row (waterproof mp3 players, they’re an imperfect science, but functional) and forcing myself to swim harder with stupid bargains. “If you pull as hard as you can in this sprint, maybe he’ll change his mind”. I can’t really listen to this album anymore.

2. Adventure Gun
Another album I reviewed – I don’t have the time to connect with records like this (in reviewing, I mean) at the moment, and I miss that. Another smart as hell record – Adventure Gun is a collection of beautiful noises crushed together with mundane inarticulacy. And, man, they really smash it live. This moment is another release show. This time in Farringdon, not far from work, for a change. This is a funny memory from the perspective of now. I have dinner with the (mostly) ex, catch up, and walk to the gig, someone pulls up next to us on their road bike, and then another guy arrives on a nice blue single speed – they’re mates of ex. I’m cycling by now, and am walking my bike up to lock it. I think I buy those two a drink. I don’t really remember what I thought of them, but in about half a year I’ll start hanging out with them all the time. Olympians play Home is Where Your Heart Breaks, and I stand next to the ex, who half looks at me because this, somehow, has become the song of our (at that moment) 6 month-long break up. He walks me home. Inadvisably.

3. Making friends
I love that we get to carry on making friends as adults. It’s a weird/trite observation but it always feels like a bit of a gift when you find a new one. I particularly like how making friends with people who make music I already like shifts how I listen to it. Jamie from yntl is one of my fave new friends from 2013, and it was a sad privilege to see his band play their unassumingly ill-announced last gig in Manchester this Autumn. I like all 3 of the yntl boys loads. They’re 3 of my favourite people, and deserve to be much happier than their music makes them sound. I started a label with Jamie this year. I need to get better at it, there’s a lot of learning to do. We’re hoping to put out new things in the new year though.

4. Delta Sleep
In May my friend John died. If you follow me or the things I write you’ll likely have seen something about that this year. I ran a trail marathon in his memory on the 7th of July. That was a tough run. It was the hottest day of the year, and it was basically across a mountain or two. Exposed, rocky terrain. I did it though. Around about the last 10k I sort of began to imagine John, running just ahead of me, beckoning me on. I had to push those thoughts back though because I needed to breathe, not cry. I got to the finish line and gathered the energy for a sprint. I finished. As soon as I stopped my knee seized up entirely. So I limped the 10m from the finish line into Coniston lake. The water was cold and alive and brilliant and I had to force back the desire to dive in as I didn’t know if I could get out again with my knee. I stood, and I looked out, and it came back. It laid on me and I cried. I scooped water onto my face and cried. The Delta Sleep album was the one I listened to on repeat the week I heard about John’s accident. In the moments after. If muffled the sound of grief for a bit.

5. Not watching a gig at the Windmill
This is the week, 7 months after moving to London, I suddenly begin to feel like I have a bit of a home in it. I willingly miss a band I’d like to see because I’m having a good time chatting out back with people who are becoming less familiar faces, and more like friends. Later that week I go away, and am pleased to be back. A couple of days before that gig I go on a long bike ride and have a really good evening playing mariokart. After this gig, on the bus home, the now 9-month-long break up finishes. We begin to negotiate ‘friends’. It will be difficult, but by Christmas, we’ll have managed it.

6.Missing Nottingham
The friendships and community around ace music I’m beginning to find a place in make me a little sad for the beginning of that which I was feeling in Nottingham. Nowhere in London is as good as J. T. Soar. Because nowhere needs to be – you can always go somewhere else. J. T. Soar is a DIY venue run by a load of musicians, they put on ace shows for not much money, they feed their musicians ace vegan food and look after them really carefully, you can record there, you can go to film nights and record fairs there. Everyone is ace. I’m a bit sad I don’t have an opportunity to be a part of that like I might have. This song is a song Nick (in two Notts bands, and a big part of J. T. Soar) posted. I love Nick’s music tastes. Also he’s the BEST GUY. That’s the thing basically everyone tells you when you mention him, “that guy is the BEST GUY”, they say.

7. Peace.
This piece of music is mine. My own finding. Not connected to a memory of anyone else, just a sense of peace. I found a good swimming pool. I listen to this on the bus on the way back from a good, exhausting 5k. I wish it wasn’t so far away, but it’s nice to have the space afterwards to fill with this. Beginning to really like the South East of London.

8. Learning spoken word
In November I start making music. This is a ridiculous idea, and should not be allowed, but apparently it happens. I get funding for, and start to make a new show called Songs For Breaking Britain. Which is a collaboration between me and two punk musicians. We collect stories from people in the street, and then make punk songs out of what people tell us makes them happy, angry, sad, what they think, where they’re from, how they feel about those things. My part in it is not really musical, but I write lyrics, and perform the first version of 3 songs for a few work in progress performances (3 more weeks of work to come in the New Year). I have to learn to listen well enough to do things in time. I even begin to sort of half sing half scream a chorus. I’m proud of the lyrics I write. I do a fuck ton of learning. It feels brilliant. I love performing like this. This song is one of the ones on repeat to listen to how people bring spoken word and music together.

9. New horizons

New music almost-friends begin to add me into new groups on Facebook, the one I value most is UK DIY and Experimental Pop which is hella interesting, and really good for me. I have very specific knowledge about music, and this group (or more truthfully, these almost-friends) begin to widen it. I love Son Lux, I would probably have never discovered it.

10. Nick and Tom playing Christmas songs on guitar and trumpet heard from the next room as I make mince pies. Mistakes and laughter and a form of human ingenuity which is a total and complete mystery to me. Cautiously happy.

Happy 2013. Here’s to the New Year. And to music.

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Top Ten Releases of 2012

This was originally published on Zine and Not Heard as part of a few contributors’ Top Tens. You should check them out.

2012! (insert the world didn’t end joke here). Music happened. Lots of it. These are the records that weren’t necessarily the best, but the ones that meant the most to me, or that grabbed me in a particular moment, or a particular way, and in a manner that was important. Because y’know that’s what rules about music. So in order of occurring to me:

First up, Londoners Apologies I Have None with…. London. I have to stick a note in here about the record version, if you were foolish enough with your money you got all manner of hand drawn, wax sealed, fit as hell extras. The sound was pretty good too. Steady anthemic driving punk with exactly the right amount of gruff clarity to the vocals. Proper soars in places. I injure myself exercising to this album. Stand out track for me is Concrete Feet, which picked the pieces of my head up halfway through the last month of a PhD and pushed me forwards. Replace ‘city’ with ‘academia’ and that song was written for me. Like the best songwriting often feels.

Second one is a more recent discovery, about three months ago some link chain-clicking on bandcamp brought me to the scotmo sounds of Bonehouse. Last year my list was heavy on the Derby, well this year, it’s all about Scotland. Dundee lads Bonehouse’s July-released four track demo BLEW MY AUTUMN SOCKS OFF. Guitar and vocals that swirl around you with a math-y touch the the rhythm that is downright yummy, the joint vocals make me melt a little, too, with perfect sin-a-long moments. If I had to recommend one track it’s the glorious abandon of The Bonehouse Summer Jam – it’s breathless, against-the-odds stuff. I will see this band live next year even if I have sell possessions to do so.

This feels like a nice playlist follow up to one of the slower Bonehouse tracks, and probably the best band I saw live this year. Soaring, gorgeous, fist clenching, breathless stuff. Among Brothers (variously from Cardiff and London) make orchestral electronic poppy sounds, with real lyric craft;  “I felt the blood rush from my lips as you spoke your name/Each bruise on your thigh resembled a dying star”. I only discovered Homes last winter, but picking that is ‘2012 post’ cheating, so I’m going with their 7″ release I Am Certain/I Do Not Believe. They’re such storytellers, it’s a sound that’s more composed than devised, like the difference between poem and prose, form and content come together offer you the edge of a smile. If you can see them live, please do. They have a sound which is so much more 3D than recording gets across. But the recording is ace too, obvs.

Back to Scotland now for a band I’ve already waxed emphatic about over here. Carson Wells’ Wonderkid is such a well structured album, vocals that trip between spoken and melodic scream, drving guitar, math-y leanings. The songs fit together really well, but stand out tracks for me possibly the itchy feet of A Great Weight or the big epiphany-moment of Three Months in Canada. Check out the tour as well – some amazing support coming from primarily Your Neighbour the Liar, but bonus appearances from the likes of Bonehouse, Crash of Rhinos, and Plaids among others, it’s pretty stonking (I believe Zine&Not Heard may be hosting a show). Also stonking is a word we use in the north. Stop laughing.

Screamier, now, with Vales (previously Veils) who offer Cornish melodic hardcore. Well, they’re from Cornwall and they play melodic hardcore. I caught them underground (literally, I mean) somewhere in Manchester with Cavaclades and Speedboat Salesmen. MAN the vocalist blew me away. She’s properly strong. Powerful lyrics too, rushing guitars and throbbing drums that make each song a stinging vignette. Stallions (Adrenaline) is my favourite. Possibly because I do too much sport, but it describes perfectly in form and content that feeling of immediately tangible perseverance;  sure there’s 10k to go, but right now, right here, we put one foot in front of the other. That.

Along a similar screamo/hardcore vein, a late-ish in the year discovery for me was Sweeden’s August 4-track release from Heart On My Sleeve. Stand-by, We’re Going in For Life plays with its lyrics and delivery really interestingly; in Forever Summer snippets of really evocative sensory moments begin to fall apart like memories do when you play them over and over too often; whereas Today is the Day slips between third and first person, spoken and screaming. The guitar soars, dulls, breaks up, thrashes, the drums drive, mash, throng. Someone should bring them to the UK soon.

Are you bored of me yet? I am, only four more to go. Bringing us down from the hardcore spiral let’s head towards Fine Before You Came, with Ormai. Irresistible, this. Melodic Italian punk that just brims with expectation. Drumming on the first track drags you in like a whirlpool, in fact all the drumming is immense.  Sing-along moments abound, even if all you can do is make the sounds and hastily google-translate when you get home. Guitars pull you through, sometimes-melodic sometimes-discordant always catchy deliciousness. I have no idea about the Italian punk scene, I hope it’s all as good as this. Let’s go on an adventure there? Song that gets me moving against both my will and mood award 2012 goes to Per non essere pipistrelli.

Third-to-last, is a record I picked up at a 49s Vs. Dolphins show in Nottingham, in case you don’t know, JT Soars and 49 Vs. Dolphins are doing some real cool stuff in the East Midlands. It’s a bit of a sneaky pick, because it’s a remaster, but I’m TOTALLY HAVING IT. Ravachol‘s Great Moments In The Void. Sadly Ravachol are no more, but I love them for their rough edges and radical sentiments, a lot of the stuff here has been a bit inward looking, but Ravachol are openly and unashamedly political “know your own mind and learn the rest” is something I want to write down on a scrap of paper and press into the hand of everyone who says they ‘can’t understand politics’. Trad contemporary shouty punk, really; leap-along guitar and screamy vocals. Love it.

Bringing it down in tempo a little now with a release that I’d been looking forward to for a while following Blue Bottle Flu and Ghost Rides the Whip (all with Superstar Destroyer Recs), Liverpool-based Ninetails‘ 5 track EP Slept And Did Not Sleep. Some might find this record a bit… odd, though – it’s a way from the straight up math-pop of the previous two releases, at least. And I didn’t quite know how to take it at the beginning, but there was something about it that just dragged me back and back again. I don’t think it helped I spent an exhausted train journey back from London drifting in and out of sleep to it, which was really disorientating but again, in an oddly satisfying way. I guess you could say this is more now towards the proggy end of map-pop. Slippery, trippy, skims like a stone in places, drags you under in others, weird in a beguiling kind of way. Try it. Beautiful artwork on the CD, too.

Et ENFIN, number 10. A quiet little split to send us off into post-festive drink and food-induced slumber, Nai Harvest and Five Leaf Nettles‘ 4 track tape available via So Foreign Recs. Quiet, sad, delicate little acoustic emo songs with found sounds from Five Leaf Nettles, and likewise quiet distant acoustic offerings from Nai Harvest, with their usual cult/pop culture references. Autumn, in particular, makes me stop and stand whenever it comes on my headphones. Here you go.

So that’s it, my picks of 2012. Lots to look forward to in 2013, particularly have my sights set on confirmed releases from Crash of Rhinos, Papayér and Without Maps, and in general hoping for full-lengths from Bonehouse and Among Brothers. Also in January I WILL be at one of the Edinburgh, Nottingham or London Carson Wells shows. Say hi if you’re around.

Happy New Year.