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Your Death in the Future

We are currently 6 days into the 16 Days of Activism Against Gender-based Violence. This activism aims to raise awareness and mobilise action against all forms of violence against women (VAW).

There is an excellent campaign being run as part of this called ‘Take Back the Tech‘ – which is all about empowering women online, looking at safety, privacy, tech literacy, and using online tools to promote activism that opposes VAW.

I am very passionate about us recovering both the history of women in tech, and in women participating the building as well as the consuming of the new worlds we’re building.

I have written an article for the forthcoming issue of Subtext magazine on what I term the ‘Digital Ceiling’. To paraphrase a section from that:

A large part of the history of feminist struggle has been the fight for participation in the public sphere; for the vote, for a say in politics, economic rights, for a voice, and worth in the public arena. Web 2.0 and new online tools are creating a new public space – in such a fast moving medium, we cannot afford to be left behind. Women have also been erased from a male authored history; The first computer programming language was named Ada, after the founder of modern computing; Ada Lovelace. Women played a key role in code-breaking at Bletchley Park during WWII, in 1942 the ENIAC (the first general-purpose electronic computer) was programmed by six women, and Grace Hopper led the development of one of the first modern programming languages, COBOL. Women are the majority of online users, and consumers of tech. But we are disgustingly under-represented in the tech industries, and that needs to change.

(The rest of that article can be read in the Autumn/Winter issue of Subtext, (coming soon)). Tech is also proving to be an invaluable activist tool, from trafigura, to the Iran election, the online world is uncovering and proliferating activists’ content like never before. We need to be in this.

Why else am I writing this blog? Because these 16 days of action are also about VAW. VAW is an incontrovertible fact, I’m not going to offer further evidence on that, but I do have a reading of the first draft of a play this Thursday, a piece called Eismas, as part of the ‘Littlepalooza!‘ festival, at the Crypt Gallery near St. Pancras:

palooza-front (matt version).jpg (JPEG Image, 430x608 pixels)
Image reproduced with permission from Scary Little Girl Productions

“Feel the quick of the modern city fall away as you descend into the crypts below St Pancras Parish Church.  Discover some of the best new writers of contemporary gothic in this evening festival among the ancient graves and catacombs.  Music, theatre and story telling combine to make this a thrilling presentation of young blood amongst the oldest of bones.”

Eismas is a play about the violence done by monetising human beings. My Littlepalooza! piece is a half hour rehearsed reading from the second act and is being billed as:

A startling piece of spec-fic theatre, that imagines a future Europe in which a single child policy has shocking repercussions on the female population.

The piece will be read at 6.15pm and tickets to see it are only £3. Please do come and support both the Littlepalooza! festival (click the link for the full evening price, and other days’ events) and my piece in development. I would love any feedback on the play, and the massive twist that you may or may not gather from the first half hour. If you need more persuading, here’s a monologue from it – don’t worry there are no spoilers (read by me though, the actress has a much better accent!)

Listen!

It would be brilliant to see people at the event on Thursday (though don’t look out for red hair any more, it’s much darker now!) and if you do make it, please come and chat to me after the reading, I’d love to hear what you think (good or bad) before I go into a massive redraft over Christmas.

And finally, do click below for more info and actions on Take Back the Tech:

Take Back The Tech

Pass it on.

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Two New Plays.

Eismas

Hurrah for a less didactic blog post!

Yup, this is a (shock-horror) creative update.

It seems like while since I’ve spoken about my creative writing, and this is mainly because I’ve been working on one particular thing, and wasn’t certain I had the go-ahead to talk about it. But I definitely have that now, so here goes.

I handed in the first draft for my first ever proper commission this Monday. It’s going to be part of a showcase of new writing, of 4-6, 15 minute newly commissioned pieces called Word:Play, and produced by the excellent (well yes I would say that, but I genuinely do think they are excellent) Box of Tricks Theatre Company. The pieces are all written in response to a single word, and the word for this Word:Play is obsession.

Here’s what I’ve been writing:

AWAKE

Awake is a monologue for two voices- the play happens somewhere between real and not, focussing on the relationship between avatar and identity. J0n thinks he is real, but he is Flo’s avatar. Flo has been playing an MMORPG until passing out from dehydration. She awakes, and meets J0n, finding herself in what appears to be a kind of digital limbo. The meeting is initially an affable (if confused) one, but as it emerges that only one of them can leave the space it becomes a fight for survival. Flo is dying, and to survive, J0n has to convince her life is worth living.

There have been several deaths and child-neglect cases related to MMORGS over the past 3 or 4 years. This short piece explores the identity politics, obsessive personalities, perfectionism, and the revisionism/escapism involved in the hardcore gaming community. It asks why people want so much to disappear from ‘our’ world, questioning how much we invest in our online/virtual presences, and how real our online personas are. The place in which the two characters are trapped could be some kind of digital limbo, but it could also be Florence’s mind. In this space J0n is realer than he has ever been, and Florence is dying. It becomes clear that Florence has a choice to make – between her obsession, and her life. What does she really have to go back to?

The first draft went… well it went the way of most first drafts do for me, it felt like my brain was bleeding. But I got it done, and in time. There’s a lot to work on – in character, and my ideas about the universe of the play etc. But the first step is there, and (considering how time is flying at the moment) it won’t be long until I have my first fully kitted out production (this Winter, probably in the new year, in London).

In other writing news Scary Little Girls Productions have offered me full a weekend in November to workshop Eismas (PDF), the first draft of which they seem really interested in, possibly for presentation in London just before or after Christmas. This is bloody excellent news, as I really do need a proper actor/director reading of that piece to love and hate it enough again to redraft. Plus to get it in front of an audience, to get them asking questions and poking holes would be very useful. Spec-fic theatre is still quite a rare thing, so in a lot of ways I’m writing into the unknown – I seriously appreciate feedback and debate about my writing, for me, theatre should be a testing ground as much as it should present polished ideas. So yes, here’s to general excitement.

And finally, in shamless-plug fashion, do check out the latest shows from both Box of Tricks and Scary Little Girls.

I’m not kidding, do it.

Hurrah for a less didactic blog post!

Yup, this is a (shock-horror) creative update.

It seems like while since I’ve spoken about my creative writing, and this is mainly because I’ve been working on one particular thing, and wasn’t certain I had the go-ahead to talk about it. But I definitely have that now, so here goes.

I handed in the first draft for my first ever proper commission this Monday. It’s going to be part of a showcase of new writing, of 4-6, 15 minute newly commissioned pieces called Word:Play, and produced by the excellent (well yes I would say that, but I genuinely do think they are excellent) Box of Tricks Theatre Company. The pieces are all written in response to a single word, and the word for this Word:Play is obsession.

Here’s what I’ve been writing:

AWAKE

Awake is a monologue for two voices- the play happens somewhere between real and not, focussing on the relationship between avatar and identity. J0n thinks he is real, but he is Flo’s avatar. Flo has been playing an MMORPG until passing out from dehydration. She awakes, and meets J0n, finding herself in what appears to be a kind of digital limbo. The meeting is initially an affable (if confused) one, but as it emerges that only one of them can leave the space it becomes a fight for survival. Flo is dying, and to survive, J0n has to convince her life is worth living.

There have been several deaths and child-neglect cases related to MMORGS over the past 3 or 4 years. This short piece explores the identity politics, obsessive personalities, perfectionism, and the revisionism/escapism involved in the hardcore gaming community. It asks why people want so much to disappear from ‘our’ world, questioning how much we invest in our online/virtual presences, and how real our online personas are. The place in which the two characters are trapped could be some kind of digital limbo, but it could also be Florence’s mind. In this space J0n is realer than he has ever been, and Florence is dying. It becomes clear that Florence has a choice to make – between her obsession, and her life. What does she really have to go back to?

The aesthetic of the piece is one of flickering poor reception on a TV set.

The first draft went… well it went the way of most first drafts do for me, it felt like my brain was bleeding. But I got it done, and in time. There’s a lot to work on – in character, and my ideas about the universe of the play etc. But the first step is there, and (considering how time is flying at the moment) it won’t be long until I have my first fully kitted out production (this Winter, probably in the new year, in London).

In other writing news Scary Little Girls Productions have offered me full a weekend in November to workshop Eismas (PDF), the first draft of which they seem really interested in, possibly for presentation in London just before or after Christmas. This is bloody excellent news, as I really do need a proper actor/director reading of that piece to love and hate it enough again to redraft. Plus to get it in front of an audience, to get them asking questions and poking holes would be bloody useful. Spec-fic theatre is still quite a rare thing, so in a lot of ways I’m writing into the unknown – I seriously appreciate feedback and debate about my writing, for me, theatre should be a testing ground as much as it should present polished ideas. So yes, here’s to general excitement.

And finally, in shamless-plug fashion, do check out the latest shows from both Box of Tricks and Scary Little Girls.

I’m not kidding, do it.