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A Conversation With week 2

You know, I’m not quite sure how interesting process blog posts are. Do you care enough about a show you haven’t seen to want to know how Alex and I are putting it together? If you are, let me know, I will totally write that. But I’m hedging my bets on ‘not interested yet’ and so am instead going to post a few photos of interesting looking things from the week. The 2nd week of the 4 weeks we have to make the show into something finished and full length. At week 2 version of the piece we defiinitely have enough material, and a little too much in places. The next two weeks (starting 25th Feb) are my favourite bits of writing, and I hope will be in devising, too: editing. Cutting. Making it fucking tight. Just the right word, just the right placing, or flicker of thought across my face, just the right question, well asked.

Also, before I paste a bit of new stuff in below, I must really say how proper proper brilliant ARC and all who sail in her are. So welcoming, and a wonderful, interested, articulate and empassioned mid-week workshop and after show discussion. Thanks to Annabel Turpin in particular (whose offer of space and a small grant began this whole development process) and Helen’s support, too, a brilliant programme manager.

Also, good news! Alex is no longer full of the black death. He did exactly zero vomiting during this week of the devising process. Improvement.

Oh, and you can now invite people to the facebook event for the Bradford showing. Check it out: Click

Photos:

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Stockton Workshop and Bradford Residency

hannah performs A Conversation With My Father at Hatch Scratch in Leicester

A really quick update to announce proper a couple of exciting additions to the A Conversation With My Father working process. I’m delighted to announce a fourth week in residence – at the brilliant Theatre in the Mill. They’re being extremely supportive and I’m really happy to be adding that extra week on just after the week in Sheffield – Yorkshire ‘r’ us, and also, 2 weeks solid feels properly productive to get the show tied up at the end. The showing at that week will be fully public, and pay-what-you-can, so if you’re in the area, you should definitely come along.

Also, I will be running a workshop at ARC in Stockton on the 6th of February. A bit of blurb here:

A short 2 hour workshop with time for discussion afterwards. Looking at autobiographical performance as a manner of addressing the wider political questions of contemporary life; from personal relationships, everyday encounters, to conflict and large-scale historical events from the point of view of the individual.

More info and booking on their website.

So, just to round up, here’s how the next couple of months looks:

Residencies:

4th-8th Feb – ARC, Stockton
25th Feb-1st Mar – The Crucible
4th-8th Mar – Theatre in the Mill

Showings:

February 8th 2013 – ARC Stockton (mid-process work in progress) — 4.30pm in the Studio – contact me for tickets
March 1st 2013 – The Crucible, Sheffield (invited showcase) – 6pm in the rehearsal room – contact me for tickets
March 8th 2013 – Theatre in the Mill  (open showcase) 6.30pm in the main studio pwyc tickets from their website

 Workshops: 

ARC 6-8:30pm Weds 6th Feb book here.
Theatre in the Mill – Weds 6th Mar – Studio space. Booking and content tbc (contact me if interested)