Tag: Theatre

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Calling All Cardiff-ians

performance in a shopping centreA picture I took during the live-transmitted soundwalk Dream/Home, at Mayfest, we’re facing one of the characters as we hear her thoughts from across a shopping centre.

I need you, Cardiff dwellers, I need pictures, videos, floor plans, hand drawn maps, timings and/or descriptions of ATRium at the Cardiff School of Creative and Cultural Industries, ideally beginning in or around the room ‘CA312’ in the ATRium. I don’t need all of them from the same person, whatever you can offer. If you can help, or know someone who can, please read on.

I have returned from my first holiday in several years, refreshed, cheerful, and with a lovely big deadline looping in the beginning of September. From the 8-10th of September I will be at the TaPRA annual conference, where on the final day I will be delivering an hour-long joint paper with my supervisor, currently called ‘A Paper Without Organs’. To cut the academic explanations short, basically it aims to investigate how useful (or not useful, as we suggest) the current tools of the academy and academic thought are in examining performance, particularly as it becomes more interactive and integral… Some hints and quotes:

“it is experienced – and learned – upon the body. Its message is illegible; it is inscribed upon [the] flesh” (from a piece on Deleuze by Dan) Plato said “you learn more from somebody in an hour of play than from a year of conversation” (Coney) “new space, like new machines, can only be represented in motion” (p.19 in Deleuze and Space)

The majority of my half of the paper will take the academics on a soundwalk around the conference building, intersecting with the paper, academic questions, conference/academic space, and as my supervisor Dan Watt puts it, hopefully bring people out of the ‘academic ghetto’ from which conferences are typically received. I’ll be drawing on the work of the Agency of Coney, Hide and Seek, and Duncan Speakman.

That’s the idea, anyway.

So why am I calling all Cardiff-ians? Well, my department can’t afford to send me to Cardiff twice. I usually need to explore an area first, before writing for it, but this time I can’t do so physically. Although it fits in with the theory of the paper that I am in some ways, doing it ‘blind’ – using the re-presentation of maps in the same way as much academic thought re-presents performance – I still need something to go on.

So I need you, Cardiff dwellers, I need pictures, videos, hand drawn maps, timings and descriptions of ATRium at the Cardiff School of Creative and Cultural Industries, ideally beginning in or around the room ‘CA312’. The venue is walking distance from Cardiff Central rail station, so won’t be too far out the way. If you can help me, please get in contact, either leave a comment, talk to me on Twitter @hannahnicklin, or email me at h.k.nicklin [at] lboro.ac.uk.

And please share this far and wide, with anyone you know who might be able to help.

Thank you.

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Hide & Seek Weekender 2010

Hide and Seek Weekender - 01

How late is this blog post? Somewhere in the region of ‘epically’, or if you like, ‘roughly a month’. I shall continue to use this as an excuse, and in fact, as the fracture clinic doctor told me it won’t really be totally all right (not his exact words) until this time next year, I shall be continuing to use it to excuse tardiness in all hand/arm related things for many more months to come.

The good news, however, is that the cast is off, and after catching up with my life, work, writing, passing my first year PhD progress panel, and getting over all the related hangovers, I return to you, Lo, with tantalising tales of my exploits at the Hide & Seek Weekender at the National Theatre!

The Hide and Seek Weekender ran from Friday the 9th to Sunday the 11th of July, and was hosted by the National, in a variety of foyer and outside spaces (I didn’t see any work in the performance spaces, though that doesn’t necessarily mean there wasn’t any, as there was an awful lot going on). I attended the Sunday, but you can see and download the full program here. I didn’t get much of an opportunity to take photos or videos as I was still be-casted at that point, but I used my MIND CAMERA instead. Here are some of the games, sights and sounds it captured:

The big focus of the Sunday seemed to be on the Delhi Games section, most of which I stuck with throughout the day as it wasn’t too precarious-movement-heavy. Also it was a new interesting dimension on the pervasive gaming that I’ve so far done – rather than just reclaiming physical or tech space, the Delhi Games also played across cultural boundaries. These games variously used skype, facebook, and text messages to collaborate on different playful experiences with two groups of artists and players, one in Delhi, and the other in London. Here are the ones I participated in:

Noah’s International Lark (I can’t find info on who this one was by). This was a simple but effective getting-to-know-you type game played over Skype. Two teams made up of both India and Britain-based participants had a limited amount of time to work out several ‘things in common’ shared by the team members. Each ‘thing in common’ had to include participants from both countries, and was scored (eventually) by how rare it was. The ‘rarity’ score was then multiplied by the number of people in the group who shared the ‘thing in common’. The other rule was that everyone in the group needed to be in at least one of the ‘things in common’ groupings. Sound complicated? It wasn’t. Example: We found that 5 people across both countries had met a prime minister or ex-prime minister. This was considered 4-points worth of rare (5 being most rare) so the points scored there were 20. You see? We discovered things like at least 3 people had physically stopped an aeroplane taking off, that 4 people had been arrested, that every single one of us had sent an embarrassing text to the wrong person. Continue reading Hide & Seek Weekender 2010