I was talking to Third Angel about a few things today, and the conversation touched on how for most small-mid scale companies, the ‘green’ option is often prohibitively expense. I had a thought. They seemed to think it was a good one. So simple I can demonstrate it with a two-bar bar chart. OBSERVE:
I drew the diagram in skitch, which isn’t designed for drawing things, really. But shhhh.
So, what about it? Money where our mouths are and all that, how about the government and ACE work together a ‘greening the arts’ fund that ‘tops up’ from the cost of a cheaper non-green option, to cover the extra which allows a company to make green decisions?
OK it’s more complicated than that, and would go together with educating companies on greener solutions, maybe setting up [as Hilary of T.A. suggested) a resources sharing database (‘we’re touring to Glasgow and could take <X commonly held theatre-y items> with us, but I can see that <y company> has <x> available 50 weeks of every year, so maybe we don’t have to), that even extends to LPG touring vans. And also consider more efficient touring methods, venue lighting/heating methods… But really, we need to pull our fingers out, right?
This is a very quick post on thoughts bubbling around my mind following the amazing #thepassion last weekend – a three day secular reconstructed tale of the Passion, told by over 2000 performers/participants, that wove its way through the community and spaces of Port Talbot in Wales. I didn’t set out to – I didn’t even know about it before that weekend, but it seeped into my twitter feed not through agressive ‘amplification’ driven by any kind of ‘strategy’ (scare quotes ‘r’ us), but by the sheer force of people desperate to share. Desperate to share what, by all reports, was a life-changing and affirming piece of theatre. People tweeting, or posting on the Guardian’s review of it talked about the healing of a community, the putting to rest of bad dreams and memories, that it was ‘spectacular’, ‘breath-taking’, that it re-connected them with ‘the awe of humanity’ (comments here).
Truly radical theatre, I might term it.
If I had the time, this would be a proper blog post. As it is, it’s the fragments, images, quotes, ideas, that might have gone into something I could have spent some thought on. Maybe I’ll come back and fill in the gaps at some point.
“We live at a time when people increasingly express the feeling that the world outside our windows is a dangerous and fragmented place. Once upon a time people walked through the city and it gave them a chance to name places and make contact with each other. […] humans need to mark their lives against real space and other people. When they cease to walk, the real spaces become less plausible then than the centralized reality of the media and are increasingly witnessed as a passing blur from a car window.” – Graeme Miller quoted in a piece by Carl Lavery on Linked
three hands, all helping him
(image posted with the kind permission of @angsy)
“Playfulness, disruption, gifts left for strangers, the sharing of visions, intelligent flash-mobbing, provocations at the tipping points of cities, making a scene so the city performs itself, misguided tours, wireless on-line technology – combining phone, movie, digital design, camera, editing desk and ipod – sending routes, signs and stories in waves across spreading networks of uncontrollable walking, maps of atmospheres and basins of attraction, and festivals celebrating the reflections in windows and the glints in pedestrians’ eyes – […] extraordinary changes will begin with disruptions in the ordinary.” – A Manifesto for a New Walking CultureWrights and Sites
