Posted on Leave a comment

Under the Wire

a cake painted with food colour to look like the cover of deja entendu by Brand New

It’s a picture. Of a cake. That I made. For my friend Andy’s 21st Birthday.

In unrelated matters it’s the last day of the month and I have only filed 3 of my 4 monthly quota’d blog posts.

Chapter two went well, will post it up here, maybe in sections, maybe when it resembles something akin to the English language. The Umbrella Project looking more and more exciting, with an upcoming test of the message system which will play with some collected stories –  more on that soon, too. I’ll probably be talking about related matters at Ted X York in a few weeks (eep!)

Oh, and if you’re in the East Midlands this Thursday, I shall be chairing a really exciting event being run by Broadway Media Centre – as part of their Making Future Work project they’re hosting several ‘Future Work’ events. I shall be introducing the Making Future Narrative event at LPAC in Lincoln, expect 10 minutes of blistering hyperbole followed by a couple of hours of overly complex ‘you’re running out of time’ gestures. I want them to look like the baseball code they use as a comic vignette in American TV shows.

And finally, here’s a cryptic clue to something I’m going to be doing avec the insanely talented Steve Kilpatrick in London at the end of July. It may or may not involve 22 performers.

Posted on 1 Comment

So, that was #SOTAflash

State of the Arts Flash Conference image of the website Archive

Another fantastically busy week has been and gone, I’m saving one half of it to talk to you about next week, but I think if you follow me down any particular path of the interwebz, you will have noticed that on Thursday I helped convene the ‘Flash Conference‘ at the heart of the ACE/RSA State of the Arts Conference. The Flash Conference was conceived of by myself, Andy Field, and Laura McDermott out of a reaction our awareness of the general dissatisfaction with last year’s format, with some of the problems of scale often faced by such a large event (i.e., missing any address to the smaller scale), and finally, from my point of view at least, with the language and the questions that the conference was shaped around. That last point is perhaps a little impolitic to say (nor very clearly said, my brain is mush this weekend) but the shift into, for example (what turned out to be entirely rudderless) conversations about art and the Big Society rang rather uncomfortable with me, personally. Partly because of my own politics, but also because it felt like a program that pandered to government, not one that brought all to the same table for what could have been a more valuable conversation.

I’m being a little careful with my language here (‘careful’ for me, anyway), and that’s because, entirely to the conference organisers’ credit, when we approached them with our idea to run a companion conference in a nearby pub they actually invited us into the conference itself. Though, as Lyn Gardner put it we were slightly “banished upstairs” – the fact that we were there at all was brilliant, not because we ourselves wanted to talk to the top table types, but because it enabled us to bring so many other voices to that top table – people who couldn’t afford the travel or the ticket price; artists, students, performers and makers for whom the conference really did not feel like a welcome place; or single parents without childcare. I hope that the great deal of interaction that we enabled showed the organisers, and indeed any organisers of any event, quite how much people are dying to have a two-way conversation rather than a one-way panel-driven selection of monologues.

Over 4 days the flashconference.co.uk site had 1273 individual visits from 27 countries, 52 videos, images, texts and sounds were submitted to the blog, 1827 tweets were exchanged, with the majority of that activity falling on the day of the conference. We were inundated not just with contributions, but also thanks, for allowing people who had felt excluded to sound in on the debate. Certainly this was not a perfect format, but it was hopefully a spark, a small static shock. Our industry deserves such large-scale spaces for discussion, but they will only begin to be truly discursive when they speak to the whole of the arts ecosystem, and from a place in not above the world that we all live in. Continue reading So, that was #SOTAflash