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Northern Big Board – What I did part 2

So, continuing from last week’s post, here I am again, summarising 2 more of the 7 things I made for Northern Big Board. This week, it’s the Story Portraits, and Sheer Therapy.

STORY PORTRAITS.
These were the simplest idea of the lot, definitely the easiest to edit, too. But interestingly the most labour intensive and frustrating to fit up. Turn out I JUST CAN’T CUT CARD STRAIGHT (thanks to Fran Graham for helping me out with that while I was running around finishing everything else). These were the last things to go up, but also the most accessible walk-up piece. What were they? Well, after spending over 100 hours chatting to passersby, staff, and pool users I ended up with an awful lot of brilliant interviews with fascinating people that I could use snippets of, or as jumping off points, but it felt really sad to let the actual voices; cadence and content; of the people of Shipley Pool go unheard. So I came up with the Story Portraits. Simply what they say – they were small audio extracts built of out of conversations had with pool users – cutting out my questions and selecting sections to make it feel like a small complete snipped. This audio was accompanied by a photograph of the speaker. In the pool these were installed as ‘light boxes’ (budgetary constraints meant that this was actually card framed transparentish photo-paper with battery powered lights gaffa’d behind them). Each was fitted to a specific locker, you opened the locker to a pair of headphones and mp3 player, and the large lit-up portrait. See below for a youtube playlist of the audio and images that you listened to.

SHEER THERAPY
This piece was also quite a simple thing to put together – a straightforward edit of my narrator/storytelling vocals talking about our relationship to our bodies when we exercise, the pool as a place of escape, a place of vanishing; all of which were themes that emerged from several conversations. Particularly older and disabled people. Eric, who is 82, is the person who gave the piece it’s title. ‘Sheer therapy’ he said, ‘it should be on the National Health’ he said, a social occasion, hard work, but it eases his breathing, it makes him feel like Tarzan. Original recordings from interviews went together with a simple whispered lead vocal to form a simple sound collage (with backing sound from the brilliant Heather Fenoughty) that spoke about escape, that invited you to lay back in a very comfortable warm space, to watch water glint, projected onto the ceiling, as people talk about what they think about when they swim, the places they go to, and that feeling afterwards. The ‘comfortable’ space was one of the smaller group changing rooms, blacked out, with a large inflatable mattress covered in cushions, you laid back, the NBB helper guiding you in would help you put the headphones in, and then activate the audio and video. The helpers were told to allow people to sleep for a bit if they drifted off. Which was sort of the point. Image below:

And there you go. Next week, the final two (Trust Me, and Cuppa), and a little on the bonus piece.

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Questions

a photo of the pool, empty

a photo of the pool, empty

So a really important part of any piece of what I have decided to call ‘nu-community theatre’ (I haven’t. Never call it that. It’s just a better description of my emerging practice  I think, than ‘digital theatre’) is learning which are the right questions to ask when talking to people; to provoke stories. For that project, and those people. Questions which are open enough to allow people to fill the space, but closed enough that they know where to start. Crafted in a way that allows for themes to emerge, but not leading in a way that has themes in mind in the first place. Each day I do Talking To People I have a new set of questions, some carried over, some refined, some entirely new. And it’s interesting to follow these questions as they emerge, respond to the people they’re asked of, and the answers they give. I thought you might find it interesting too. In the end, (or at the end of the story-collection section of Northern Big Board; I’m now into MAKING) the questions for this project ended up more like provocations. And each is reflected in one of the final installation pieces I will make. These are those:

  • Talk to me about escaping
  • Tell me about a time when you were the best of yourself
  • Tell me about a time you trusted someone
  • Tell me about what it feels like to fet older
  • Tell me what your friends mean to you
  • Talk to me about waiting

Obviously these are scattered about less threatening things like ‘how are you feeling today’ or ‘where did you learn to swim’ and things.

My favourite answer so far was to the second. ‘Tell me about a time when you were the best of yourself’ – a Duty Manager and lifeguard called Gee, a gentle smiling man, very tall, and perpetually active. He looked straight ahead and thought solemnly when I asked the question. After a while he told me about a moment when he was delivering CPR to a swimmer who had had a heart attack in the pool, and when he looked up to see a line of staff – the people he oversees and trains – lined up, at least 12 of them, all ready to take over in intervals so that the CPR could be consistent and go on for longer. That was the answer he gave to the question ‘tell me about a time when you were the best of yourself’. The best of him was his team. I love that.