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Early Days of a Better Nation scratch

So tonight I achieved my 2nd career choice; leader of a political party. Unfortunately this seemed to require acting and sounding like a politician. Though probably wasn’t hindered by my secret weapon; a Teacher Voice. It doesn’t come out very often (power/responsibility etc.) but I do have one of those voices that when raised tends to carry, and is reported to make people want to sit down and stare very purposefully at their quadratic equations. Anyway, yes, ‘leader of a political party’, I hear you cry, ‘that’s the interesting bit, expand!’. You’re probably not crying that. But I will expand anyway.

Tonight I went to a first-stages scratch of Coney’s Early Days of a Better Nation at BAC, and fascinating it was. Somehow I ended up leader of this glorious nation, and incredibly uncomfortable for it. A quick ‘what is’; Early Days… was a 2 and a bit hour long interactive (emergent, since you ask) ‘thing’, set in the opening days of a new nation – you are cast as yourself-as-member-of-an-interim-government, allocated a party according to the responses to a short questionnaire (to which I did not give short answers, sorry person who got my form), and then invited along with 4 other parties of politicians to begin deciding on the constitutional points and priorities of your government. A system of beans as pay and allowing people to cast votes is a nice mechanic which makes voting a weighty decision (but these are MY beans!), and members of a tabloid and broadsheet style press hover around the edges, stoking rumours, reporting on events and generally being the eyes and the ears of behind the scenes goings on (that is, what the parties are up to, not what they are voting for). Members can defect to other parties, and certain events occur in reaction to previous decisions that sometimes have difficult or unforeseen consequences (fwiw, I did suggest we add to the ‘universal health care free at the point of use’ constitutional point the caveat ‘for all citizens’, but never mind, I love me an american health tourist). News footage provides the beginnings of a contextualisation, and the events mirror financial crises and decisions from politics, like, what are happening now. Anyway, in the end I was elected as leader following the (SPOILER) sudden assassination of our previous charismatic leader. Our party (Green, some kind of odd libertarian party I didn’t really agree with on paper, but in the end was full of Good People, I think it was the one people got put in if they took the questionnaire a little too seriously) had the most members by this point, and so we were asked to field some candidates, I put myself forward because there were no women candidate from the party (and also because I wanted to), and after a short campaign, I won. And stood on the stage and talked to the press man, and was leader.

So, yes. That’s what it was. And why was I uncomfortable? Because ringing in my ears was something Dan Bye said to me about half way through; “isn’t it interesting, people have been given the task of doing politics, and actually what they’re doing is Acting Like Politicians” – I’m paraphrasing him, but there it is. I spoke to the press in support of my candidacy, was asked questions, and gave short succinct answers about what I believed and thought my party also stood for and was earnest but aware that probably what we were calling for probably couldn’t be implemented. And BAM, I was speaking in the language of the stuff we’re so tired of. There were parties that became extreme, others that played up (monster raving loonies), people who tried to sell votes for beans, people making important impassioned stands that not many people saw and that I respected but probably wouldn’t do, and a couple of centre-ground parties made up of people-taking-things-probably-a-little-too-seriously. There were three leader candidates at the end, and when the other candidate I was on similar political terms with was looking low on votes and I didn’t quite have enough we formed a coalition, he became my deputy and OH MY FUCK I’M THE TORIES.

That’s why I was uncomfortable, but also a little pleased, and excited and wanted MOAR POWER opportunity to Change Things For The Better and it’s fascinating that for all we’re fed up with politics we generally don’t have another language to express this kind of stuff. Sure we’re told we’re playing politicians, so there’s a degree of parodying what we know – but the set up is of the early days of a better nation; how do you build a framework which asks us to think about frameworks in the first place? Because I suppose that’s what I wanted the piece to do, which it didn’t quite do yet, but if it gets even a quarter of the way there it will be astonishing. Or maybe it needs to let us repeat the same mistakes, maybe it needs to be a space to fail, so that we go away and think ‘must try harder’.

Other thoughts, and responses to the questions on the feedback sheet, because it seems like a good way to respond usefully:

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A Conversation With… post-Sampled

So here’s some of the reviews and tweets from this weekend’s premier of the current version of A Conversation With My Father. Sampled was ace, and I was performing amongst some pretty humblingly awesome company; I particularly loved see Laura Mugridge and Tom Adam’s Watery Journey… after it’s Performance in the Pub work in progress sharing, and also loved Molly Naylor’s My Robot Heart with music from the Middle Ones (totally in mind for a future PitP), Andy Field’s fizzling writing about the city in Zilla!, and Chris Thorpe doing his astonishing and gripping thing with There Has Possibly Been an Incident. Gutted to miss Melanie Wilson, Curious Directive, and Ross Sutherland due to having to do my own show. But on that – I was incredibly pleasantly surprised, and learnt a lot. Ridiculously low on time right now (hence no linking up the above, you can google, right?), but here’s some of the stuff I learnt/found interesting about performing ACW:

  • goodness me audiences are different
  • either that or I need to get more consistent in performance
  • apparently I can remember words, which is good.
  • sometimes the sort-of-funny things I write turn out to be VERY funny, and I need to structure the performance to balance that
  • This is an important story, that appears to be reasonably approachable
  • It makes people cry.
  • I don’t like making people cry. I want to find a way of (metaphorically) telling people ‘it’ll all be ok’ afterwards, but don’t think it will unless I also make people want to Do Something
  • I don’t think it’s up to me to tell people what that Something is.
  • people are really interested in all of the stuff I pack for a protest, and want it explaining. No one ever works out that the number for GBC LEGAL that I write on my arm (with the label) is for a lawyer, and why you do that.
  • I think there’s something in comparing the ritual of readying for protest for both protestor and police office
  • the sound recording I have of me and my dad is not very good at higher volumes. This is rubbish and I need to get someone who knows more than me to fix it.
  • I think I’ve found a ‘TED’ version of this story – performance lecture, but would like to explore how it possibly becomes more performance, or maybe more story.

As for the future of it, I’m hoping to get a producer or director on board somehow, and spend a week on it in a rehearsal room somewhen and somehow to work it up into a 50-60 minute solo show. And I might even have some photos to show you soon.

In the meantime I’ll leave you with some some self-congratulatory highlighting of positive reviews/tweets:

Continue reading A Conversation With… post-Sampled