Posted on 3 Comments

Some Musings on the Apocalypse

a picture of a raggedy poster asking Are You Ready? Under a heading of 'Zombie Apocalypse'Image shared via a CC license on flickr by lukeroberts

For a small piece of Christmas/art intervention that Mr Andy Field released into the world this December passed, I wrote a snippet about moments. It was sort of about how I like the taste of cigarettes on some people, and mostly about what I wanted for Christmas, which, as it turned out, was a series of moments. This was one of them:

I would like something like a Zombie Armageddon, but not. Kind of like the kind of situation where you have to survive by your wits and strength, a well packed bag, and good fore-planning, but where no one dies, really.

So I guess, like, maybe camping?

I’m thinking about apocalypse at the moment. Well, more than usually at the moment. A couple of sniffs of apocalypse in the theatre air (including Andy’s piece ‘Zilla’), a couple of recent calls for ideas/work on the theme of it, and also, if I’m honest, much of my work –  ‘Home’ most openly – and reading continues to be fascinated with it. With the end of the world, or at the very least the end of the world as we know it. Ruthlessly nagging as my mind sometimes is, it now frames the question: ‘why exactly is that?’

There’s something that strikes me about the ideas of late capitalism simmering in my thesis-related reading; that of a culture in which the wars no longer physically approach us and our ways of life (this is why terrorism, rare though it is, makes such a good bogey-man for the state), where we are alienated both from production and from the processes behind that which we consume – our food, our clothing; a world where the cold war has passed, and no one born in the West need starve (though they do, in nursing homes, on the streets, in hospitals, and on housing estates; as the food mounts up in the skips around the back of Pret-a-Manger and Sainsbury’s). Imminent death isn’t around the next corner for you or I (a reasonably safe assumption, if you can access this blog). Oh it is, in an abstract, hit-by-a-bus sort of way, but only one person ends there; not a street, a community, a country, a way of life. Apocalypse is everyone, and everyone will always include you. Continue reading Some Musings on the Apocalypse

Posted on 1 Comment

Dreams &tc

hipster as fuck photo of a river

I read Freakangels the other day. It put me in mind of this:

“Each epoch dreams the one to follow.” – Michelet, “Avenir! Avenir!”

Freakangels also puts me in mind of my small obsession with flooding (and rain). Growing up in Lincolnshire will do that to you. So much of the land there was ‘reclaimed’ from the sea. Wrong way round, that. As if the land belonged to us before the water. Anyway, projected sea level rises linked to global warming put vast swathes of my home county back underwater. And flooding threads itself through an awful lot of my plays and soundwalks.

I’m a good swimmer. I’ve never been afraid of water. I am afraid of losing the things that tie me down though. The skies of Lincolnshire are as big as they are because of the lay of the land. Because how far away the horizons, because of how far you can run and feel like you’re not moving. I return home when I need to unwind my mind.

I have really vivid dreams. If you follow me on Twitter you might sometimes see me talk about them. The ones I remember most I’m always running. Packing for a great ordeal, leaving with a warm jumper, clean socks, running shoes, basic supplies. And running. Sometimes I fight. Sometimes I save the day. But I’m always running.

“the arcades and intérieurs, the exhibition halls and panoramas*. They are residues of a dream world. […] Every epoch, in fact, not only dreams the one to follow but, in dreaming, precipitates its awakening. It bears its end within itself” (p13 of the Arcades Project by Walter Benjamin)

Just a thought.

*think shopping centres and billboards, museums and parks