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#wikitheatre needs you

wikipedia logo

I’m talking to you. Yes, you, the person who reads my blog, or clicks on the links I post on Twitter, who is involved in contemporary theatre and performance. I need you. All of you, to help me solve a pretty big problem. We’re invisible. On wikipedia.

Stop laughing.

This is important. Because this is one BIG way in which laypeople (in any subject area) discover. It’s how I find out more – in a reasonably unbiased way – about countries in the news, about complex physics discoveries, about the history of Henry V who it turns out got short in the actual face by an arrow when he was only 16, about the peasants’ revolt, about a TV series and when a previous episode was broadcast. Wikipedia is fundamentally part of most people’s first pages on google searches. It is an entry point. And contemporary performance is all but invisible on there. Consider this outreach. Mainly because that’s exactly what it is. This is a really important way of putting contemporary theatre and performance where people are. Of helping them find out about us.

We’re small community, and it appears very few of us are on there updating and creating articles. So, here’s what I propose: we all sign up to wikipedia today, and commit to creating an article every week or two weeks. Just one, on an aspect of contemporary performance/theatre of which you feel like you can contribute something. This is our lives, don’t tell me you can’t tell me something.

So far (and a while back) I’ve done an article on Dan Rebellato, but I quickly got overwhelmed by how many other artists and companies were missing and just let it fall by the wayside. So I want your help, I want to know I’m not alone, and I want to commit, along with a few other people, to doing at least one article a week/every fortnight.

I even made us a hashtag so we can share new articles, and so others can know they’re out there, create new ones or help develop current entries. You don’t make hastags. Shut up, Hannah. Use #wikitheatre, if you like.

And, to help us all out, and because it can look a little daunting, I’ve put together a few tips, a how to get started, and a how to format guide in below.

Continue reading #wikitheatre needs you

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A Conversation With… at Sampled Festival

So you may have noticed me leaping around the internet of late in excitement at being able to announce that A Conversation with My Father will have a 25 work-in-progress showing at the AMAZING Sampled Festival. Well now you can actually book that shit. Seriously, if you go here, and click in a few places, you can actually come and see me performing it. IMAGINE THAT.

More, *ahem*, seriously, it’s an incredibly exciting line up, that I feel proper privileged to count myself among. And if you buy a ticket from that link above, you get a ticket for the WHOLE DAY, there’s properly loads of good stuff both days though, so you should definitely get a weekend ticket. LOOK AT ALL THE GOODNESS YOU’LL BE GETTING:

I wish I was just trying to sell this because I’m going to be there, that would show career drive, or something, but just look; Little Bulb, Andy Field, Brian Lobel, Bryony Kimmings, Laura Mugridge, Chris Thorpe and Hannah Walker’s Oh Fuck Moment, Ross Sutherland, Melanie Wilson, Action Hero, Curious Directive, Michael Pinchbeck, these people are all people who actually make my FAVOURITE ART STUFF. Man. But yeah, come and see my show, too.

Here’s a little bit more about ACW, in case you’ve forgotten:

What? A Conversation with My Father is born out of a conversation between an ex-policeman and his protestor daughter. A conversation about fear, grey areas, them and us, duty, and standing up to protect what you think matters.

The piece is based around a recording of Hannah talking to her father about policing and protest. This is not a piece about which side you should take, it’s a conversation about the problem of ‘sides’ in the first place.

Why? “I love the way A Conversation With My Father negotiates the personal and the political so cleverly. Deceptively simple, it deals with big, complex issues. I find it informative, engaging, startling and very moving.”

Alexander Kelly, Third Angel (he’s been kind enough to read over/advise on what I’ve worked up so far and gave this quote for the brochure)

When? 11:00, 12:15 and 4:15pm on Sunday the 6th of May.

How? Just click this link already!

This is my excited face.